About Nate
Where’s Nate?!
Behind the Mic and/or Below the Frame!
I am a seasoned Voice Actor, Audio Production Specialist, and…wait for it…PUPPETEER!
With over 25 years of experience in the entertainment industry. My passion has always been bringing stories, characters, and words to LIFE, up off the page and into audiences’ ears and hearts.
(That kind of sounds like a horror movie, doesn’t it?...)
My voiceover portfolio spans just about every genre you can think of: national commercials for major brands like Taco Bell, Pepsi, Verizon, Xbox, and Mazda; animation and video game character work (you've probably heard me as most of the "dudes & dads" across 100+ animated titles for the wildly popular MSA - My Story Animated YouTube channel); ADR and dubbing for film and television; and narrating 30+ audiobooks for top authors including James Patterson and Claudia Gray. (The narration I'm proudest of? Full textbooks for visually impaired students, cover to cover.)
As a trained stage, film, and television actor and puppeteer, I've had the privilege of working alongside industry legends: The Jim Henson Company, Sesame Street, The Walt Disney Company, and Universal Studios, to name a few. I'm also one of only two performers to play BOTH Crow T. Robot and Tom Servo on Mystery Science Theater 3000. (No, I will not pick a favorite.) That background in puppetry, physical performance, and performance capture gives my voiceover work a depth and specificity you won't find just anywhere... because every character I voice has a body, a heartbeat, and a point of view long before it reaches the mic.
As the owner of Begle Booth Studios, a professional recording and post-production studio built for remote sessions with clients anywhere in the world, I also serve as an expert audio engineer, voice director, and remote session director. Full-stack capabilities include remote recording via Source Connect, ipDTL, and SessionLink; live directed sessions (as early as 4AM ET to catch UK and European working hours); dialogue editing; dubbing; ADR; and complete audio post-production for film, television, and every digital platform. Talent AND engineer, in one hire. (Your production schedule just breathed a sigh of relief.)
Whether your project calls for a larger-than-life animated character, a warm and authoritative narrator, a quirky commercial voice, or a menacing video game villain... I've got a voice for that. Correction: SEVERAL.
Hear the work, or send me your script and let's bring your story to LIFE.
Incomparable range. Extreme versatility. Committed connections. Always served with a side of humor and heart.
"The 'Andy Serkis' of animated dogs!" - NYAV Post
"The 'Brad Pitt' of VO eating sounds!" - Stacia Newcomb, Sound & The Furry Studios
"Who's that goofball in the hat?" - Everyone
"The 'Andy Serkis' of animated dogs!" - NYAV Post "The 'Brad Pitt' of VO eating sounds!" - Stacia Newcomb, Sound & The Furry Studios "Who's that goofball in the hat?" - Everyone
I was also featured on:
"The Junkyard Love Podcast”
A tender, playful, and witty conversation about a life built around performance. We talk discovering creative purpose early, navigating years of invisible work, and learning how to keep showing up for the craft even when no one is watching. We talk about my roots in community theater, how Fraggle Rock cracked open a lifelong fascination with puppetry, and the reality of building a career from bits and odd jobs to full-time creative expression.
Along the way, we dive into themes like staying grounded while performing, the therapeutic power of play, self-belief in the face of doubt, and the surprising joy of working just off-camera.
From humor and nostalgia to identity and intention, this conversation brings small insights that build into something honest, warm, and very real.
Some notable quotes from the episode:
“A lot of people think voiceover is just ‘talking,’ but it’s not. It’s acting. It’s truth-telling. It’s intention.”
“It’s like, if you see something that’s not available where you’re at - then make it.”
“There’s a moment where you stop trying to get it perfect and start asking if it feels true. That’s when you know you’re doing the work.”
