FAQ

Oh, I'm glad you asked — because the answer is more than you might think. I'm a professional Voice Actor, Audio Producer, Puppeteer, and Performance Coach operating out of my studio here in Orlando, FL under the Begle Booth Studios banner.

On the Voice Over side, I bring projects to life across a wide range of categories: commercial and advertising copy, corporate narration and e-learning, character and animation work, audiobook narration, telephony and IVR, and explainer videos. Whether you need trustworthy and warm, punchy and upbeat, or something totally out-of-the-box — I've got the range and the chops to deliver.

On the Coaching side, I work one-on-one with voice actors at every level — from complete beginners figuring out what a booth even IS, to working professionals ready to level up their technique, their business, or both. My coaching is rooted in real performance craft, not just mic tips.

As the owner of Begle Booth Studios — a professional recording and post-production studio in Orlando, Florida — I also serve as an expert audio engineer and remote session director. Full-stack capabilities include remote recording via Source Connect and ipDTL, dialogue editing, dubbing, ADR, and complete audio post-production for film, television, and all digital platforms.

And yes — I'm also a Puppeteer. I perform, teach puppetry technique, and bring characters to life in ways that surprise people every time. It all lives under the same roof because great performance is great performance, no matter the medium.

Easy. Hit the email button up there at the top right, send me a note with what you're working on, and we'll set up a quick conversation. No pressure, no jargon — just two people talking about a project or a goal.

If you're looking for Voice Over talent, bring your script (or a general idea of the project), your timeline, and any direction notes or budget concerns you have. I’m your huckleberry.

If you're interested in Voice Over coaching, tell me a little about where you are in your VO journey — total beginner, working pro, somewhere in between. I'll figure out the best way to support you.

Pro tip: The more context you give me upfront, the faster we can get rolling. I'm decisive and I move quickly once we've got a clear picture.

Honest answer? A LOT of things — but here's the short version.

I don't just read copy. I give it life. My background spans voice acting, live puppetry, and performance coaching, which means I understand storytelling from every angle. That's not something you get from every voice actor or every coach, and it shows up in the work.

I'm also an audio producer, so I'm not just handing you a raw WAV file and wishing you luck. I understand the technical side of the craft — acoustics, editing, signal chain, delivery formats — and I can talk shop with your audio team or handle it myself.

And when I coach, I bring all of that to the table. I'm not teaching from a textbook. I'm teaching from inside the booth, inside the performance, inside the industry.

Oh — and I genuinely love this work. That enthusiasm is not a bit. It's real, and it's contagious.

Smash that email button up top there! I personally read and respond to every inquiry (no bots, no interns, no auto-replies with a 47-point questionnaire).

You can also connect with me on LinkedIn where I regularly post about voice acting, the craft of performance, and whatever creative project has currently taken over my brain.

I typically respond within one business day. If it's urgent, say so — I'll do my best to move fast.

You can always skip the chatter and just grab a time with me on my calendar!

Voice over rates are based on the SAG-AFTRA rate card, the GVAA rate guide, and industry-standard pricing— factoring in usage, exclusivity, project length, and turnaround. Whether it's a regional radio spot, a national commercial, a full e-learning course, or a single telephony prompt, I'll give you a clear, transparent quote before we begin. No mystery fees, no surprises.

Coaching rates are $75/hr with options for package pricing for ongoing work. We'll talk through what makes the most sense for your goals.

The bottom line: I believe in fair rates for professional work — for your project AND for the craft. I'm happy to walk you through the deets behind any quote I give you.

Fun. Focused. And probably a little more enthusiastic than you expected.

I show up prepared, I communicate clearly, and I deliver. I treat every project — big or small — with the same level of care, because I know that YOUR project is THE project. Deadlines matter to me. Direction matters to me. Getting it RIGHT matters to me.

I'm also easy to direct. If you've got a specific vision, great — let's execute it. If you're not quite sure what you want yet, I'm good at helping you figure that out. And if you want me to bring my own creative instincts to the table, I'll do that too.

Working with me should feel like a collaboration, not a transaction. I want you to love the final product — and I won't stop until you do.

Absolutely — and most of my clients are remote. My professional home studio is equipped for broadcast-quality recording, and I deliver files digitally anywhere in the world. Whether you're in New York, Los Angeles, London, or somewhere in between, we can work together seamlessly. Remote sessions via Source-Connect, Zoom, or phone patch are totally on the table too, so you can direct in real time from wherever you are.

I'm comfortable across a wide range of genres, but I particularly love character and animation work, commercial copy, corporate narration, e-learning, and audiobook narration. I have a natural warmth and range that tends to work well for storytelling-forward content — but I can dial in to match your brand voice, whatever that sounds like. Got something unusual or quirky? Even better. Bring it.

100% yes — and honestly, newer students are some of my FAVORITE people to work with. There's something incredible about watching someone discover what their voice can do for the first time. We start at the beginning: booth basics, microphone technique, cold read skills, audition strategy, and the mindset you need to build a real VO career. You don't need experience. You just need to show up ready to work.

Great question, and one worth asking early. Let's talk. Demo production is a significant investment and I want to make sure the timing and content are right for WHERE YOU ARE in your career. I can advise you on whether you're ready, what kind of demo makes sense, and how to approach the process. Getting this right matters — a lot.

Begle Booth Studios is the name under which I operate all of my creative services — voice acting, audio production, coaching, and puppetry. The studio represents the full range of what I do: performance-driven, craft-focused, and always a little bit fun.